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	<title>Comments on: To London and Paris</title>
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	<link>http://www.tablefortyone.com/2012/02/13/to-london-and-paris/</link>
	<description>The collective blog of Table Forty-One Photographers</description>
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		<title>By: Kat Mitchell</title>
		<link>http://www.tablefortyone.com/2012/02/13/to-london-and-paris/#comment-4218</link>
		<dc:creator>Kat Mitchell</dc:creator>
		<pubDate>Tue, 14 Feb 2012 21:11:12 +0000</pubDate>
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		<description>Unsurprisingly I&#039;m a big fan of the museum stuff. Second from bottom especially could be straight out of a Thomas Struth exhibition, and I mean that in a good way.</description>
		<content:encoded><![CDATA[<p>Unsurprisingly I&#8217;m a big fan of the museum stuff. Second from bottom especially could be straight out of a Thomas Struth exhibition, and I mean that in a good way.</p>
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		<title>By: Kristofer Greenaway</title>
		<link>http://www.tablefortyone.com/2012/02/13/to-london-and-paris/#comment-4217</link>
		<dc:creator>Kristofer Greenaway</dc:creator>
		<pubDate>Tue, 14 Feb 2012 00:37:40 +0000</pubDate>
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		<description>I have an infinite amount of time for the phone box image. It has a wonderfully cinematic feel and it couldn&#039;t encapsulate the cliche of grime any more sufficiently. The neon type is an excellent addition.</description>
		<content:encoded><![CDATA[<p>I have an infinite amount of time for the phone box image. It has a wonderfully cinematic feel and it couldn&#8217;t encapsulate the cliche of grime any more sufficiently. The neon type is an excellent addition.</p>
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